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Underpinned by our Scandinavian design heritage, we bring you regular stories about architecture and interiors, exploring natural materials, acoustics, and the creation of safe and harmonious environments.
The commission was divided between two artists. Emma Löfström was appointed to create the large stairwell wall on the ICU, whilst Patrik Lundborg created the works for the waiting rooms and entrances of Radiology and Oncology. Being invited to take part in the selection process was an early sign that this project would be something out of the ordinary, and a recognition that Gustafs’ competence extends beyond manufacturing.
Why marquetry – and why Gustafs
The choice of marquetry as the technique for the artistic programme was not coincidental. It was an active decision rooted in Gustafs’ core competence.
A hospital environment sets exceptionally high demands on materials – strict fire classification requirements, resistance to cleaning agents and rigorous environmental standards, all without compromising on aesthetics. By integrating the marquetry motifs directly into Gustafs’ own panels, which meet fire classification A2-s1,d0, the highest possible rating, the artworks become a natural part of the interior rather than an addition to the wall. The same panels Gustafs supplies to hospitals around the world, now with artistic motifs built in from the outset.
The architects at Arkitema had chosen white-pigmented oak as the primary material throughout the ward interiors. This became the natural point of departure for the marquetry panels as well – the same wood species, the same finish – allowing the artworks to grow naturally from the space around them rather than standing apart as foreign elements.
That combination, artistic ambition and technical certainty, is what made the project possible.
